Pietro Riparbelli @ Sound Corner
23-11-2012 C/O Auditorium Parco della Musica - Roma
E’ Massimo Bartolini a inaugurare, in contemporanea con la sua mostra Hum, Sound Corner il nuovo spazio del foyer Petrassi che la Fondazione Musica per Roma dedica all’ascolto di lavori sonori.
Per l’occasione Massimo Bartolini ha invitato Pietro Riparbelli con il lavoro - Three days of silence - The mountain of the Stigmata, (2012 )
http://www.auditorium.com/
New recordings within the project: "CATHEDRALS"
St Martin in the Fields - London
by Massimo Bartolini
http://pietroriparbelli.bandcamp.com/album/st-martin-in-the-fields-london
POSTCARDS FROM ITALY - PIETRO RIPARBELLI - Fluid Radio
http://www.fluid-radio.co.uk/2012/07/postcards-from-italy-livorno-pietro-riparbelli/
The project "Cathedrals" will be presented at Pastificio Cerere (Roma)
MERCOLEDI' 18 LUGLIO 2012 DALLE 19.00 ALLE 22.00
SPAZIO CERERE - VIA DEGLI AUSONI 3, ROMA
In occasione dell’evento di apertura del pastificio_lab sguardo contemporaneo presenta i lavori del collettivo di soundscapers AIPS - Archivio Italiano dei Paesaggi Sonori con l’installazione sonora Chronicles – di Francesco Giannico e Alessio Ballerini – insieme a una panoramica sui progetti degli altri artisti del collettivo (Alberto Boccardi, Barbara De Dominicis, Giovanni Lami, Fabio Perletta, Pietro Riparbelli).
RADICAL MATTERS - EDITIONS / LABEL
Presents: MASSIMO BARTOLINI "UR-GERAUSCH"
ARTIST'S MULTIPLE
Edition curators: Sandro Gronchi, Pietro Riparbelli
Available at: DOCUMENTA 13 BOOKSHOP | Buchhandlung Walther Konig GmbH & Co Kg.
Buchhandlung Walther Konig GmbH & Co Kg
auf der documenta 13
Container Friedrichsplatz
4117 Kassel
tel. 0561 9372 8695
fax 0561 9372 8696
DOCUMENTA (13) opens to the public in Kassel on June 9, 2012. For 100 days, over 150 artists from 55 countries and other participants from around the world will gather and present artworks, including sculpture, performance, installation, research, archiving and curatorial projects, painting, photography, film and video, text and audio works as well as other objects and experiments in the fields of art, politics, literature, philosophy, and science.
For more information, please visit:
http://d13.documenta.de/
http://www.buchhandlung-walther-koenig.de/
http://www.radicalmatters.com/
Massimo Bartolini was born 1962 in Cecina, Italy, where he still lives. His work embraces various materials and media, from sculpture and performance to photography. He participated in numerous exhibitions including Manifesta 4 (2002), the
Biennale of Sao Paulo (2004), the Biennale di Venezia (1999, 2009), the XV. Quadriennale di Roma (2008), and the 6th Shanghai Biennale (2006) as well as solo exhibition at the Center of Contemporary Art, Torun (2011), the Museu Serralves (2007), Oporto, the Ikon Gallery, Birmingham (2007), and at P.S.1, New York (2001).
My recording Unbearable Winsdom, has been released on Gruenrekorder's compilation Somewhere on the Edge, which marks the 100th release of the label.
Consisting of 47 tracks with a total duration of over 531 minutes, Somewhere on the Edge is a collection of pieces on political, cultural, ecological or scientific themes and it’s free download.
This soundscape has been realized only with field recordings from Buddhist sacred places in Italy and Nepal. This work would like to underline the unbearable troubles, which a great culture is going through after the Chinese invasion.
Field recordings: Pietro Riparbelli & Raffaele Vanni in 2011
Photo: Raffaele Vanni & Losan & Losan Piatti
http://www.gruenrekorder.de/?page_id=7228
http://www.gruenrekorder.de/?page_id=7284
Three days of silence - The mountain of the Stigmata | Pietro Riparbelli
Gruen 102 | Audio CD MP3 & FLAC
6 Tracks (47′13″)
CD (500 copies)
“Three days of silence” is conceived as complete phenomenological experience of listening. I have been three days within the Sanctuary of La Verna on the top of a mountain called “the mountain of the Stigmata” in Tuscany. I’ve lived together with the monks recording and attending the ceremonies and the sounds of the place trying to penetrate in a dimension of pure contemplation.
You can find Extra contents:
Three days collection of field recordings each one accompanied by a photo of the relative place at:
http://www.gruenrekorder.de/?page_id=7023
Soundscape Series by Gruenrekorder
Germany / 2012 / Gruen 102 / LC 09488 / EAN: 4050486063934
audio: first day.mp3
audio: duration.mp3
audio: third day.mp3
New recordings within "CATHEDRALS" project:
Abbazia di Sant'Antimo_Siena
by Giulio Aldinucci
http://pietroriparbelli.bandcamp.com/album/abbazia-di-santantimo-siena
“Un’opera per il Castello 2011”
Si è conclusa la fase di valutazione dei 112 progetti dei giovani artisti ammessi alla prima edizione del Concorso “un’Opera per il Castello”.
Alessio Ballerini e Pietro Riparbelli sono tra i 10 finalisti con il progetto "Castle Sound".
http://www.polonapoli-projects.beniculturali.it/
Mercoledì 28 Dicembre 2011 ore 22.00
Live Performance@
SONIC SUBSIDENCE C/O FERRO3, corso nazionale 131, Scafati (SA)
Giovedì 29 Dicembre 2011 ore 22.00
Live performance@
CULTIVAR C/O Mulino Pacifico, Benevento
http://www.culti-var.org
a cura di Leandro Pisano
He tries to come to us
is an audio visual performance and at the same time a demonstration of an investigation realized within the former mental hospital of S G in volterra. This investigation wants to focus the attention on the work left us by the patient N O …who, by scratching the wall of the yard of the building, wrote and drew a very complex story, apparently without any sense but certainly a great message.
This opera finished only with the end of the wall.
This work is composed of a video realized with radio videocamera and of a sound composition achieved with sound sources and short wave radio signals recorded inside the building.
Video realizzato in collaborazione con Influx
New recordings within "CATHEDRALS" project:
St. Vitus Cathedral - PRAGUE during the Ecumenical prayer (for the victims of totalitarian regimes) + excerpts from the Mozart Requiem
by David Šmitmajer
http://pietroriparbelli.bandcamp.com/album/st-vitus-cathedral-prague
New recordings within "CATHEDRALS" project:
"Orthodox Mass in the Crypt of the St. Nicholas Basilica - Bari"
by Massimo Carozzi
http://pietroriparbelli.bandcamp.com/album/orthodox-mass-in-the-crypt-of-the-st-nicholas-basilica-bari
I'm looking for artists who wants to collaborate to my project "Cathedrals"
This project has been conceived as a sound archive of sound sources recorded within ancient cathedrals. I also accept recordings from other field recorders who want to collaborate in exploring this kind of sound world.
http://pietroriparbelli.bandcamp.com/
Pietro Riparbelli "Unseen Forces" on Kunstradio: Sonntag, 6. November 2011, 23:03 - 23:59, Ö1 "A short guide to becoming-bat"
curated by Stefano Perna - Teil 2: “Unseen forces” von Pietro Riparbelli
you can listen to the broadcat here:
http://www.kunstradio.at/2011B/06_11_11.html
http://www.kunstradio.at/PROJECTS/CURATED_BY/BAT/index.html
AEDO is an independent platform arise from the collaboration between inlandempire and Metasound.
Established in 2011 in Milan, AEDO is constitued for the experimentation of conceptual/projectual methodologies for the production, communication and development of contemporary sound art events.
As a multimedia platform, AEDO provide to create the concept, contact the performers/visual artist, communicate the event and post-product the performance.
AEDO: Francesco Bertocco Marco Dolera Pietro Riparbelli
http://aedo-platform.tumblr.com/
SILENZIO_ZERO ASSOLUTO live performing event #1 from AEDO ∆ on Vimeo.
This work was created using short wave radio signals, feedback, voice, various effects and filters as well as different work of the Italian Baroque composer Alessandro Scarlatti as central sound source. Scarlatti (1660-1725) is especially famous for his operas and chamber cantatas and is considered the founder of the "Italian overture" form.
The title of this album refers to the Lyke-Wake Dirge, a 14th-century English funeral chant from north Yorkshire (which chorus is usng by Yannick Franck on the last part). It is a warning about the lack of empathy and generosity and their repercussions within the travel of the soul on its way to heaven.
Artwork By – Andrea Marutti / Afe Creative Laboratories
Mastered By – Giuseppe Verticchio
Pictures By – Yannick Franck
www.silentes.net
SILENZIO: ZERO ASSOLUTO –273,15 °C | – 459,67 °F
8 June 2011 ART, MUSIC
June 16 - h. 21.30
h. 23.00 - Dj set curated by Costantino della Gherardesca
Spazio Concept - Via Forcella 7/13? - Milan
Performance event organized by:
RM-ED/L | META-SOUND
Curated directed by Pietro Riparbelli
In collaboration with Inlandempire Project
An ensemble composed by four artists; each artist develops a sound composition focusing on the concept of Silence (the absolute zero from John Cage theories).
The sound sources will be performed live by the artists in real time and directed by Pietro Riparbelli in order to create a sound event that will be directly linked with a visual background loop courtesy of the artist Massimo Bartolini.
LIVE STREAMING WEBCAST
http://www.radicalmatters.com/metasound
SOUND ARTISTS:
Lorenzo Senni
Nicola Ratti
Massimiliano Viel
BACKGROUND VISUAL LOOP:
Massimo Bartolini
CURATOR AND SOUND DIRECTION:
Pietro Riparbelli
DJ SET A CURATED BY:
Costantino della Gherardesca
Abbiamo avuto il piacere di conoscere Pietro Riparbelli a Three Days of Struggle, il festival di Nico Vascellari. Pietro è l’unico artista italiano ad essere pubblicato su Touch Records, l’etichetta di Fennesz, Ryoji Ikeda e Mika Vainio. In occasione dell’evento che Pietro farà il 16 giugno a Milano (Spazio Concept), gli abbiamo chiesto di presentare il suo lavoro....
http://www.dissonanze.it/pietro-riparbelli
CATHEDRALS - LE CATTEDRALI TRA VISIBILE ED INVISIBILE
Lecture about the project "Cathedrals"+ Live-Set based on "4Churches" produced by Touch Music
A sound mapping of sacred places
In collaboration with A.I.P.S. (ARCHIVIO ITALIANO PAESAGGI SONORI)
venerdì 13 maggio Medionauta: via confalonieri 2 Milano
http://pietroriparbelli.bandcamp.com/
http://www.medionauta.org/
http://touchshop.org//product_info.php?products_id=438
Pietro Riparbelli "4 Churches"
I’ve recorded sounds within four cathedrals (Assisi lower Basilica, The Dome of Orvieto, Cathedral of Saint Germain de Pres, Notre Dame de Paris) and then I’ve composed the four tracks utilising ...read more
out now: "K" a K11 cassette release for COLLEZIONE DEL SILENZIO
a series of 26 cassette tapes edited by SILENTES TAPESTRY
http://www.silentes.it/tapestry/
K11 at Inlandempire from INLANDEMPIRE PROJECT on Vimeo.
ARCHIVIO ITALIANO PAESAGGI SONORI
FRANCESCO GIANNICO & ALESSIO BALLERINI
Coordinatori di Aips | http://www.archivioitalianopaesaggisonori.it
The WIRE’s Top 15 Avant Rock releases of 2010
Acid Mothers Temple & The Melting Paraiso UFO In (Important)
Ash Pool For Which He Plies The Lash (Hospital/Tour De Garde)
Expo 70 Where Does Your Mind Go? (Immune)
Michael Hurley Blue Hills (Mississippi)
K11 Metaphonic Portrait 1230 AD (Actual Noise)
David Maranha Antarctica (Roaratorio)
Bill Orcutt Way Down South (Palilalia)
The Orkustra Adventures In Experimental Electric Orchestra ...(Mexican Summer)
Ariel Pink’s Haunted Graffiti Before Today (4AD)
Puffy Areolas In The Army 1981 (Siltbreeze)
Rangda False Flag (Drag City)
Rangers Suburban Tours (Olde English Spelling Bee)
Sun Circle Lessness (Arbor Infinity)
Wooden Wand Dream Seat (Young God)
Xeno & Oaklander Sentinelle (Wierd)
Swen's Weblog: http://swen.antville.org/stories/2036598/
PAUME
'platform avant-garde & urban media explorations'
Every month PAUME features a person / location / event / piece of art we think is important.
http://paume.nl/2010/11/24/paume-features-pietro-riparbelli/
Spire 4 - Pietro Riparbelli "4 Churches"
Touch # Spire 4 [320 kbps mp3] 4 tracks - mp3 download - 42:09
For more information, please visit:
www.touchmusic.org.uk/catalogue/spire_4_pietro_riparbelli_4_ch.html
http://www.audiodrome.it/modules.php?op=modload&name=News&file=article&sid=6852&mode=thread&order=0&thold=0
AUDIODROME INTERVIEW PIETRO RIPARBELLI – K11 Quattro uscite nel 2010 per Actual Noise, Afe Records, Boring Machines e Old Europa Cafe, un’estetica personale, disorientante e di complessa ...read more
The Silent Ballet and Lost Children Net Label Presents
con fuoco d’occhi un nostalgico lupo
A special compilation in two parts, dedicated to contemporary Italian experimental music.
http://lostchildren.bandcamp.com/album/con-fuoco-docchi-un-nostalgico-lupo-ii
reviews on:
THE WIRE 319 - September 2010 (UK)
ROCK-A-ROLLA #27 - Aug/Sep (UK)
DECIBEL 70 - AUGUST 2010 (US)
Pietro Riparbelli is a philosopher, composer and sound-multimedia artist based in Livorno (Tuscany). His
compositions have been published by TOUCH (UK),Important (US), Dirter Promotions (UK), Gruenrekorder (DE), Radical Matters Ed/Label (IT),Utech (US), Afe Records (IT), Boring Machines (IT), Cold Spring (UK).
Riparbelliʼs performances and installations have been presented at DʼAmelio Terras contemporary art gallery
(NY), Equinox Festival (London), Nuit Blanche (Paris), Magazzino dʼarte moderna (Rome), Palazzo delle
Papesse (Siena), Flora (Florence), Fundació Tàpies (Barcelona), Base progetti per lʼarte (Florence).
He works with performances, sound installations and recorded works and in the last three years he has been
collaborating through selected projects with Massimo Bartolini, Nico Vascellari, Philippe Petit, Fabrizio
Modenese Palumbo, Francisco Lopez, Christina Kubisch, Seth Cluett, Yannick Franck and others.
He is a curator/executive producer of the independent music label Radical Matters - Editions Label with the
new series “Metasound” investigating the dimension between music and contemporary art.
He is a member of A.I.P.S. ( Archivio Italiano paesaggi Sonori).
THE DICHOTOMY OF THE VISIBLE AND INVISIBLE IN THE SONIC PANORAMA
Pietro Riparbelliʼs study of the phenomenology of perception with particular reference to the dichotomy
between the visible and the invisible is closely connected to his conceptual address of the ʻsonic landscapeʼ.
He delves into deep investigation of particular places, taking in the history of the location as well as the
current site specifics to reconfigure a sonic panorama (or diorama) through its inherent transcendental
aspects in order to create a dimension beyond the purely or merely sonic: a total perceptive and receptive
capturing of the place and its visible and invisible tangents, transporting the listener to a new and hitherto
literally unheard form, kind and ʻcontentʼ of sensory experience and therewith: perception. From a specific
time and place, to another (listening) time and place and in between, found (!) in Riparbelliʼs transmutation
and compostional interpretation: an altogether new and invisible (maybe even: non-existing) ʻvistaʼ…
(written by Sven –Paume.nl - Platform for Avant-garde and Urban Media Explorations)
PROJECTS:
http://www.cathedralsarchive.com/
http://www.radicalmatters.com/metasound/